White Whale

A sale to a tale of woe.

In one of the more recent sales for it, I picked up one of the Steam Link boxes. For the uninitiated, it is a machine that allows you to stream your Steam games on a TV or monitor that is not connected to the main computer.  They weren’t a big seller for the company it seems as they have discontinued it at this point. The software involved is still dubbed Steam Link on their pages and they still support it.

I was intrigued by the newly tiny price and did not have a computer directly connected to my den TV at the time so it had to happen. I was already familiar with the concept from streaming to other computers in house so it was easy to setup.

Then the option to add non-steam games was the next upgrade. I had been using Launchbox on one of the computers that was lower end as I enjoy emulation of older consoles. So I used Launchbox instead of trying to individually load games and I did not have much time to delve into that for all the ones I wanted to play.

I sprung for the year license to get it playing nicely with the Steam Link and it was pretty good.  Loaded well and the controls were already built into the games.

Not able to leave well enough alone, I had to add other games that came from different distributors. Have to make life difficult by never having brand loyalty. This is where the setup started to fight a little. Third party launchers and some games’ refusals to recognize either the Steam control mapping or the Launchbox overrides made me have to work for it.

But each of them in time was workable with the help of stubbornness and the internet. Except one. There is a little game made by Holmade Games called Bit Of War. It is an 8-Bit interpretation of the God of War franchise. It was made with love and care by those folks in 2012.

This game used keyboard controls for movement, which were easy to bypass on the computer with programs like Joy to Key or Xpadder.  Though the Steam interface has a few options to remap for a controller or to use an extra keyboard connected to it, none of the selections were picked up by the game.

It took quite a few attempts and gratuitous searching to get past the launcher just to get the game to run, then no controls worked at all. It did not matter how I tried to reconfigure and what advice I took from local and online sources. The game refused to recognize either controller or mouse and keyboard inputs.

It had been a while and I decided I needed to ask the developers for assistance. The game was so old by this time that they even had trouble trying to help me find a workaround. After a few weeks of back and forth, it was decided that there was not a way to get the game running the way I wanted.

8-Bit Kratos is probably disappointed in me.


Be Like Water

I got stuck.

From the mountains of idea debt to the overcommitting, the burnout was brutal. I didn’t want to do anything anymore but play AC games Origins and then Odyssey. Egypt and Greece became the escape that I needed to rest and functions properly in the rest of my life.

I lost the drafts that were consumed by the infamous editor to the sunny skies and beautiful landscapes of the past, regenerated by minds not hampered by the small pile of madness that was consuming my creation streak.

I didn’t want to write.

Didn’t want to read.

Just wanted to wade in the gorgeous water physics that one of the teams lovingly coded.

I have a history of getting lost in the lore of AC games. It even extends to the modern day portions that I wish they could salvage and spin off.

Just when I was going to try to venture into the world again, there were other distractions. These varied in quality but I was still able to put off any creative endeavors.

It turns out that I wasn’t escaping from everything – just a job that was a bad fit. Once that fog lifted, I dipped my toes slowly back into the creative waters. The change rinsed the mud off and these water physics are nice to watch too.

Media Musings Stuff

Not Enough Prey

It feels like it has been ages since a game was available as a demo. Lately it has been a sea of pre-orders and paid early previews. Aside from Steam’s policy of refunds if the game was only played for short time, to get into a game you just had to shell out. There was a nice smattering of episodic games that softened the blow a bit, but it just wasn’t the same.

The Prey demo sauntered in like a good friend that you hadn’t seen in years, covered in an aura of nostalgic demo glory. It promised a wonderful introduction into a game dripping with content that you just couldn’t pull yourself away from after you got your hands in it.

The first hour of Prey, while gorgeous, was empty for me. The corridors felt too familiar.  The setting felt too familiar. The story twist that was being setup was telegraphed hard enough that I figured it out from first few scenes. The combat almost had me intrigued, but still came up short.

The helicopter ride with the credits was quite beautiful. But after watching it, I was a little sad that it was just a pretty loadscreen meant to make the game seem grander than it was. There is a comfort dealing with the familiar, but I was not drawn into the atmosphere or engulfed in the gameplay.

Initial impressions brought to light that the Prey creators were fans of many previous games. They seemed to borrow so hard from other titles, that it sucked me out of the atmosphere and made me think about the other titles. No game is wholly original, but there needs to be something that is more interesting than slapping a pile of copies together.

Even the music left me wanting. At first it made me want it to be better and then it made me want it to stop. It was jarring and irritating, an amateurish attempt at amplifying a jump scare that wasn’t good enough.  I was relieved by the silences not because I wasn’t being pursued by monsters anymore, but because my ears were able to rest.

Prey just made me want to play Dead Space, BioShock and Dishonored instead. So I will.



Curse of the Critic

Everyone loathes a critic.

You cannot get four inches across the internet without finding someone who hates something just because it is. From YouTube haters to Twitter monsters to general comment supervillains, there is always an entity that just doesn’t bloody like whatever it is and thinks it/you/mystery item should die in a horrible series of events.

Somewhere in the midst of this atrociously hate filled revolution, subject matter critics have been lumped into this group. Having been hailed as experts and knowledge kings/queens in the past, these guys no longer get any respect. Any time they make a critical (which people seem to have forgotten is the basis of the term critic) observation it becomes a controversy of epic proportions.

  1. You think a show’s episode is just filler and give it a slightly lower review than one of the more information packed ones = you are the worst and why do you review this show that you clearly hate.
  2. You like the 2nd album of an artist a little bit better than this third one that came out 4 weeks later = you are anti-music and can’t possibly have ears.
  3. You think the game is just a minor repackaging of the others in the series, because it actually is = you eat children and are literally the devil.

All a critic really wants to do is present the pros and cons. There are cases where the person truly hates what they have to critique, but that is far less common than the world wants to suggest. Those rare cases also tend to be pretty obvious.

Unfortunately, even the most seasoned of critics can suffer from mediocrity fatigue. If your job is to look at something all day, you are going to see more cracks in it than anyone else. But a drop in enthusiasm is too frequently miscontrued as dislike or disdain.

People are too quick to forget that without the critic, everything would still be stuck on first drafts. Would you want to be stuck driving the first version of the car? Could you imagine your world if everyone was stuck with that first model of computer? We can all admit the first plumbing system can stay right in the past.

Please give your friendly neighborhood critic/reviewer/enthusiast a break when they break out the dreaded, “but” and let them speak their piece. Not only could that flaw they bring up present opportunies for improvement for the creator, but also for the world.

Media Musings

Plain Man

This book was a long, painful read. I put this review off for ages because I didn’t want to just type “I hate this book!” and hit publish. I tried to take a step back and attempt to evaluate this piece of fiction without loathing, but as it stands…

I hate this book.

When I received the book, I had forgotten that I had even asked for it. This was probably a bad sign, but I decided to let it go and put it in the queue. After finishing the novel that I was already in when it arrived, I picked it up and read the dust cover. It talked about secret government organizations and magick.

Meh. I put the book aside for a month.

While cleaning, I found it again and felt guilty that I had just put it away and forgotten about it. Something told me to mix a drink and just sit down and get through it. My initial perception would be that it might just be a bit blah, but not so bad. I was wrong about that.

This book is the third in the series so you would think that even with not having read the first two that there would be a good plot flow going by round three that I could just jump in and roll with. Nope. What I waded into was a mountain of jargon with desert sex on top. (Ok, mountain of jargon is being polite and the whole plot is about the lead’s friends shagging the bad guys.)

I trudged through the first 90+ pages of the book very slowly. I could only get through a page or two before falling asleep and didn’t give a crap about the characters or the tiny bit of plot that was happening at a snail’s pace. I tried pretty hard to find something to like about the book until the author decided to flesh out some of the side characters. Unfortunately, this just made me want to read a whole book on August’s friends Rosa and Sly instead of the dreck I was in the middle of.

The organization that the villains were a part of had a silly name and I could never take them seriously because of it. This tidbit is part of the whole series, but then names that were supposed to be synonymous with evil sounded like they were in a movie block aired late at night and hosted by Rhonda Shear.

One day I decided to end the suffering and just sit down and finish the book in one sitting. I did find something to like about the reincarnated character in the final few pages, but still don’t care about the two leads. There was almost a hint of what felt like character development with the female lead, Pamela, but maybe the author just used up all that juice in the book that came before this. Amidst the onlsaught of things that I was never made to care about were touches of interesting things that should have been fleshed out instead the main story. The repetition of uninteresting elements didn’t help anything either.

The way the narrative is blocked out also makes you feel like the author was constantly getting bored as he was writing it. Instead of full chapters, the book stumbles forward in a series of tiny pamphlets that all feel like they lack useful information. This leaves no room for any buildup, because by the time anything happens the reader has been given plenty of time and reason to forget what was going on before.

Maybe the previous two Max August novels were fantastic. I have no idea. This one doesn’t make me want to read them to find out though. All this book did was make me further wary of reading anything else that revolves around magic.

Media Musings

Q & A with Amanda Tapping and Robin Dunne

Recently I was given the honor to join in on a chat with the lovely Amanda Tapping and the challenging Robin Dunne. Usually when people end up in a discussion with someone they have dogged in their recaps, they make apologies and dump piles of praise on the previously attacked person. I’m not going to do that. Heck, I didn’t even do that in the discussion. Robin is a good guy though, he is a real sport about it and has a nice sense of humor.

Amanda and Robin both were very excited about and upcoming episode called “Normandy.” The title alone is intriguing, but the excitement in their responses makes me a little eager to get to that one myself. The discussion overall was a bit silly, but it was pretty fun that Robin and Amanda are so comfortable with each other.

One of the highlights of the experience is that PRG gets the exclusive privilege of not having my name mistyped as Abner.

Here are some of the good bits from the conference call:

So of the episodes that are still to come for the rest of the season – for the third season, do either of you or both of you have a favorite moment from shooting those remaining episodes?
Robin Dunne: The great thing about the second half of season three is that all the things that the team – the Sanctuary team – Magnus and the Sanctuary team have gotten into in the first half really, really become back to the ramifications they have to deal with in the second half. And it’s really quite a roller coaster ride the second half.

I think if I had to pick a favorite moment, we have an episode coming up that is the biggest episode we’ve ever done scope-wise, story-wise, everything. And it takes place in the past, back in World War II, and it was a really special episode to shoot. It’s quintessential Sanctuary thinking outside the box.

When we were on set shooting those things with tanks driving around, it was really quite an experience. So I guess if I had to pick one, I love every single moment, every waking and sleeping moment that I have on Sanctuary. But if I had to pick one, I think it’d be from that episode.

Amanda Tapping: Yes. The episode is called Normandy, and there was just something very special. There was an interesting vibe on set when we shot it. And the look is very different, but it’s a really cool episode.

And what would you say for each of you has been the biggest challenge for you working on Sanctuary?

Amanda Tapping: Well, I had to direct Robin Dunne in an episode called One Night. I’m just going to stop there.

Robin Dunne: And I think my most challenging moment was being directed by Amanda. I mean, she’s just a sadist. She made me do 750 takes of something once, just out of pure…
Amanda Tapping: Because we had the time.
Robin Dunne: Yes. She made me sing Hot Blooded in front of the entire crew for no reason. It was just to humiliate me. It’s really been a challenge.

So I saw some of the little preview clips and it looks like Amanda, you’re rocking a red wig. Is that true?

Amanda Tapping: It is true. It is true.

Robin Dunne: And it’s hot.

Amanda Tapping: In an episode that – in the episode called Normandy…
Robin Dunne: She’s wearing it right now actually.
Amanda Tapping: But that’s just for fun. I actually – it’s sort of an homage to my grandmother, who grew up in England and lived through two World Wars. She was born in 1901 and lived to the ripe old age of 103-1/2. And, her entire life had this red bob haircut and dyed her hair red up until she was like 102 I think. And so, that was in homage to her, but I really liked it.
So who knows? I mean the beauty of this character is she’s old enough and has been around enough that she can kind of do whatever she wants.

Is there anything that really surprised you coming up about your character that you weren’t expecting or that happened earlier in the season?

Amanda Tapping: We had a cool episode towards the end of Season 3 that shows you a different side of our characters, and it’s a rather unexpected view of these two people. Magnus much more vulnerable and kind of freaked out than you’ve ever seen her, and…

Robin Dunne: It’s like many episodes of Sanctuary; kind of unrecognizable but in a very different way. I think you could even say that the characters themselves — Will and Magnus — are – don’t even recognize themselves. And it was a really interesting episode to shoot. Completely different location. The lighting. Everything looked like a totally different show and it was very interesting to shoot.
Odd in a way because you’re playing the same character but in a completely different realm. And yes; it was exciting. That’s coming up – what number is that? That’s…
Amanda Tapping: 19.

And Robin, I’m looking forward to talking to you a little bit later or sometime about Metamorphosis.

Robin Dunne: Yes. That was a really cool episode too. I just did the DVD commentary yesterday with the director, Andy Mikita, and just…

Amanda Tapping: Robin was amazing in this episode Metamorphosis, because he was – also acted as the camera man. He wore a helmet cam, so a lot of the show is his POV. So not only was there a physical transformation in terms of prosthetics, but also Robin worked the camera. He was exhausted. I was so worried about him when we were shooting that episode because he was just doing everything. And, it’s an amazing performance.
Robin Dunne: The one good thing about that was that I wear a helmet cam in my private life, just shooting my own life, so I was really used to using one of those things. So, yes; the learning curve wasn’t so crazy for me on that one.

Who would be your ultimate guest stars to have on the show?

Robin Dunne: Ultimate guest stars?
Amanda Tapping: Wow. We’ve had our ultimate guest stars.
Robin Dunne: We’ve had some great, great people on the show.
Amanda Tapping: We’ve been so lucky. I mean, I sort of jokingly said this once that I think it would be really cool if Helen Mirren came in a flashback as my mom. But, that’s thinking so far outside the box that it’ll never happen.
But we’ve been very lucky in that every guest star we’ve brought on has sort of been somebody for the most part who’s not that well known and who has ended up becoming a massive fan favorite. And you know I speak of Jonathan Young, and Ian Tracy, and Peter Wingfield, and Vince Gail; like all these incredible actors have come on our show – and actresses. We had Polly Walker and she was great.
We’ve been really lucky. Besides Helen Mirren, I’m not sure who to suggest.
Robin Dunne: I’d like to see Bill Clinton on the show. I think…
Amanda Tapping: Will’s like, “Yes!”

Okay. One last question. Let me side track and ask you both about different shows for a second. Amanda, can you talk a little bit about Riese? And then Robin, can you talk about working on NCIS?

Robin Dunne: Yes.
Amanda Tapping: Riese for me was sort of a gift that feel from the sky. I knew the guys who were doing Riese. I had met them – of course, we know almost all of the actors on the show. And, they had put together this really cool web series, and I had seen some of the Webisodes and I just was blown away by how well they had done it on such a small budget. And the production value was great and the story was cool.
And then I got asked by Syfy if I would be willing to do the voice over – sort of narration. And so yes – I said, “Yes. Are you sure the Riese guys are okay with that?” And they seemed pretty cool, and that’s how I got involved. It was really, really very simple.
And I was able to sit for about four hours one night in our sound booth in our sound stages at Shark Sound, and with a Network Executive and the producers of Riese and we just went through everything and narrated it. It was really for me a very small commitment, but a really great opportunity.
Robin Dunne: Thanks for asking about NCIS. I’m a child of the ‘80s. I grew up watching all those great ‘80s movies and you know, Summer School. And I was a big fan of Mark Harmon, so I kind of hounded the Casting Director of that show. I go, “Let’s go and do an episode of NCIS. I got to do an episode of NCIS.” And that was a truly amazing experience.
Mark Harmon – I can’t say enough about this guy. He is the classiest, most gentlemanly person that I’ve experienced in the business. He’s just a truly amazing guy, and it was really a wonderful experience working with him. I think every young actor should do an episode – should work with Mark Harmon just to have a lesson in how to comport yourself. A wonderful guy and it was such a lot of fun.
And again, I’m a big fan and I got to talk to him about Summer School, which was cool. Not going to summer school, which I did, the movie Summer School. So yes, it was a lot of fun and I can’t say enough about that guy. What a great guy.

What are some of things that you do? You’re coming back for a fourth season now. You’ve had a break. What are some of the things that you do to get back into your characters?

Amanda Tapping: It’s a really good question Michael, because for me it’s really hard, because I don’t – I find her very confusing and besides just going and getting my hair cut and dyed dark brown and getting rid of my blonde roots and learning how to walk in Stilettos again. There’s sort of a physical transformation for Magnus.

I kind of have to wrap my head around a different head space with her. And for me I always get very nervous at the beginning of the season as to whether or not I’ll find her again. And the writing is there, and so you know as long as I know all of the scripts I’m pretty safe. But it is a bit of a panic at the beginning of every season.
Robin Dunne: For me it’s the exact opposite. I have to learn how to not walk in Stilettos and wear regular – which is awkward. And sit ups I guess. I try to do at least 4 sit ups a day, and I haven’t seen any results yet, but I’m sticking to it. But yes. I think also there is – you know, this is Friday. We’re starting Season 4 on Monday, and every season, I have the same feeling of like, “Okay. Here we go. Back into the jungle for you know, more insanity.”
Amanda Tapping: Yes.
Robin Dunne: So, there’s a little bit of talking yourself off the ledge at this point.
Amanda Tapping: Yes. A bit of a panic.
Robin Dunne: And then once you’re into it and you’ve got a few days under your belt, it’ll be back on the…
Amanda Tapping: Yes. I’ve been taking kick boxing this hiatus. And I think – and I loved it for a lot of different reasons. But, I think now it’s sort of become more technical for me, so I think – and that’s been in preparation for some of the fight sequences coming up, and I’ve talked to our stunt coordinator. So stuff like that when your real life actually ends up leading into your work life in a positive way, that’s been really fun. So, I’ve sort of been ramping up my kick boxing workout.
Robin Dunne: Purely just so she can beat…
Amanda Tapping: Kick your bum.
Robin Dunne: …beat me up.
Amanda Tapping: Yes.

And then there were was me. Someone clearly knew the spelling was incorrect, because my name was the only one in parentheses:

(Me): I didn’t actually know Robin was going to be on the call, so I’m just kind of winging it with the questions now.

Robin Dunne: You’re just going to hang up now. You’re like, “What? He’s there? Oh, forget that. God.”
Amanda Tapping: Oh, man.
(Me): I thought about it. I really did.
Robin Dunne: I don’t blame you. I honestly don’t blame you.
(Me): Well, I had a – you said you loved going on set to get your hair done. Is it your fault that Will went from slightly nerdy to – as Kate would say, “coated in hair gel?”
Robin Dunne: Everything’s my fault I think. I just say it as there’s a blanket thing.
Yes. There has been – the hair has gone through many versions throughout the…
Amanda Tapping: There’s been quite an evolution.
Robin Dunne: Evolution of Will’s hair.
Amanda Tapping: It started sticking up so much that the Vis Effects team said, “Don’t put him in front of a green screen with that hair.”
Robin Dunne: Yes.
Amanda Tapping: Then we knew we had to do something about it.
Robin Dunne: Yes. When…
Amanda Tapping: That’s when we knew an intervention – a hair gel intervention was needed.
– We continued the tangent, but I forget the detail and the transcription wasn’t complete. –
Robin Dunne: When Lee Wilson, our Visual Effects guy and also one of our Executive Producers and Directors, kind of cornered me and just said in his voice, “You know, listen. We really got to do something about your hair.” I realized – okay. You know, maybe a change needs to come.
But, I think Kate was exaggerating. I don’t know that I really coat – was covered in hair gel. Maybe…
Amanda Tapping: You were.
Robin Dunne: A little bit. I mean we all need some product. I don’t know. But yes. Yes.
Robin Dunne: The hair is interesting.
I don’t mind what it looks like as long as I manage to keep it on my head, you know, which is a daily struggle.
(Me): I had some questions for you Amanda, but it seems like they were already answered or you can’t really answer them.
Amanda Tapping: Oh.
(Me): Some of them concerning your interest in – love interests I guess.
Amanda Tapping: Oh yes.
Robin Dunne: But the best thing about…
Amanda Tapping: The episode hasn’t actually been written yet, but I just put it out there to the writers and they seem to have embraced the idea. And, that’s all I can tell you.
Robin Dunne: And embrace…
(Me): I want to ask you if it has anything to do with the Comic-Con discussion that you had with Damien.
Amanda Tapping: Wow. Remind me.
(Me): I think it was last year’s Comic-Con. You were talking about a colleague from your past that came back.

-Transcriber missed this bit too, but we were referring to Magnus’ likely open sexuality.  –

Amanda Tapping: No. This is somebody entirely different.
(Me): Okay. Well you said interesting, so I was thinking back to that.
Amanda Tapping: Ah.
Robin Dunne: Magnus did have a fling with Elvis, but I don’t know that that’s going to — she was at Graceland for maybe three weeks or so in the late ‘60s.
Amanda Tapping: I just couldn’t find the door. That was the problem.
Robin Dunne: Yes. Awkward.
Amanda Tapping: Awkward.
(Me): Very. You guys were talking about the guests that you’ve had. And just one raging question is has Mark Sheppard ever signed to show up on your show, because he’s been on everything else.
Amanda Tapping: No. Hasn’t even expressed an interest.
(Me): Wow I guess he’s just busy.
Amanda Tapping: Should we be offended?
(Me): I don’t know. I mean, he’s been pulled in so many directions. He’s been on everything at least once.
Robin Dunne: Yes. What the heck you know?
Amanda Tapping: Yes. Gee. I’m feeling slighted.
Robin Dunne: I’m going to call him. I’m going to get him on the phone right now and just be like, “Hey…”
Amanda Tapping: “Dude? What up?”
Robin Dunne: “…what’s up with that? What are we? A mirage?”
(Me): That’s been requested many times by a lot of folks I know, so – he’s required.
Are there going to be more episodes like to go back to The Five?
Amanda Tapping: Yes. Yes. There are a couple coming up in the second half of this season. Normandy in particular, the episode we keep talking about, brings back The Five in a really, really cool way. Awakening is an episode where we have Jonathan Young, everyone’s favorite vampire.
(Me): Great.
Amanda Tapping: And our last episode, Into the Blue, or second to last episode, brings back Druitt in a weird way. So yes. The one that probably speaks to The Five the most is Normandy.
(Me): Okay. It sounded like it, but I had to make sure. So is there going to be a lot more of just you and Chris in particular?
Amanda Tapping: In the second half, there’s a couple. Yes. There are a couple of episodes that speak to that relationship, as you know dysfunctional as it is.
(Me): It’s like watching an entirely different show.
Amanda Tapping: Yes.
(Me): Yes. I think ran out of stuff. But yes, it was great talking to you guys. I think I’m done now though.
Amanda Tapping: Okay, great.
Robin Dunne: Cool.
Amanda Tapping: Thank you so much.
Robin Dunne: Thanks a lot.

There were a few more questions after that but I was busy messaging all my nerdy friends that I just got to talk to Amanda Tapping. I can admit this here because I am neither ashamed about being really excited about it, nor dishonest about gloating and because I wouldn’t have gotten to without the fine folks here at PRG.

It was fun times I hope that the season goes great






The Performance

She leapt at the chance to be on the stage. The sea of people staring back at her were fuel to her essence. None of them were prepared for what was going to happen and she enjoyed the knowledge that the length of their lives were to be decided on a whim.

Black liquid pooled into her eyes, filling them slowly as the temperature in to room grew hotter. The patrons could barely make out the subtle changes in her face as the lines deepened and her appearance grew more inhuman. Her hair then lifted up straight over her head in a pattern that resembled a grand crown.

One by one, the astonished onlookers began sweating profusely, their bodies unable to function normally anymore. In an effort to escape and cool off, several of those in attendance tried to flee outside. By the time they reached the doors, they were reduced to puddles of goo. The room was filled with little glop spots, the liquid boiling from the heat.

She smiled.


Old Dragon Down

Many eons ago in internet years, a little shack called Open Diary appeared and many people found community. It wasn’t always the prettiest place, but the folks were always there when they were needed. Most of them were on the site for 10 years or more so they felt like they really knew each other.

I was on the site about 13 years. Though I had multiple diaries, I still kept up with a group of people. We looked out for one another and saw each other through not great times.

I hadn’t spent much time on the site lately, the owner had other priorities in recent years. Accessing the web site had become difficult. I also tried to have a more public web presence by moving all of my writing here. It ended up making me write less, and it made me change what was writing about, but I don’t regret the decision.

Another reason I really stopped using it, was that I had needed to distance myself from a few members at the time. I’d kept in touch with others elsewhere, but I’m still thankful for all the folks that I got to meet from the service.

OD is currently in the process of shutting down.

Though OD may or may not have been the first social network, it was pretty much a template for those that followed.

Thank you, Open Diary.


Peapods and Peaches

peapods and peaches

mostly unrelated items in the store

isolated by aisles of disinterested parties

tasked with the chore of

finding one another in the perfect basket

teased with like items

and fickle shoppers

man-handled, abused, ignored

people disregarding them for potato chips

sugary sodas

and beer

do they even realize how awesome these things are?


and they don’t notice it until it is too late

the peas and peaches expire on the shelf

nobody wins



Sometimes there is something lurking that you don’t want to write.

You push it aside and try to focus on other things, but it just starts screaming at you like a hungry kid that smells brownies.

You wake up and it’s sitting at the foot of the bed, drinking your coffee. It nags at you when you look in the mirror as you wash your hands. It has all the time in the world to wait, so it just lingers in the corner of your eye.

Maybe you’ll get drunk and it can sneak its way out on a stray piece of paper. It’s possible it could skip past you while you are working and find a home in a picture you doodled.

It lives. It whispers. It whimpers. It wields power that you didn’t even give it.

It will probably win.